De Moi - Drifting Intervals LP

Drifting Intervals – De Moi’s New LP Blends Ambient Innovation with Hypnotic Soundscapes

Ambient music has long been a space for exploration, where sound itself is stretched, deconstructed, and reimagined into something fluid and boundless. Enter ‘Drifting Intervals’, the latest LP by Czech musician and sound artist De Moi (Vojtech Vesely), an artist deeply rooted in experimental techniques and avant-garde influences. With this project, Vesely invites listeners into a meditative and transformative experience that defies traditional musical structure, embracing the boundless nature of reverb, tape loops, and harmonic blending.

Less of an album in the conventional sense and more of an immersive soundscape, ‘Drifting Intervals’ is built on a technique Vesely himself has pioneered—an evolving fusion of musical intervals that seamlessly dissolve into one another. The result is something simultaneously hypnotic, introspective, and immensely vast, making it an exceptional contribution to the ambient and drone music landscapes. Inspired by the works of La Monte Young, Terry Riley, Robert Fripp, William Basinski, and Pauline Oliveros, De Moi builds upon the foundations of minimalism and deep listening to create a work that feels timeless and infinite.

The Concept of Drifting Intervals

At the core of this LP is the concept of ‘Drifting Intervals’, a technique Vesely developed through his work with tape delays and deep reverb. Imagine individual notes or chords gradually merging, like paint being slowly blended until a new hue emerges. This process creates an auditory illusion of infinite space, where sound morphs continuously, evading resolution or repetition in a traditional sense.

Vesely’s influences are deeply embedded in his sound design. William Basinski’s Disintegration Loops clearly resonate in the decaying textures that subtly shift throughout the album. The tape-delay systems pioneered by Terry Riley and Robert Fripp are also present, allowing notes to reverberate endlessly, forming a shimmering, weightless environment. Pauline Oliveros’ Deep Listening philosophy further informs the experience, encouraging listeners to surrender fully to the sounds, experiencing them as more than just background ambiance.

A Journey Through Sound

Listening to ‘Drifting Intervals’ feels like floating in zero gravity—untethered, weightless, and lost in an expanse of sound. The eleven tracks are less about individual melodies and more about the evolving relationship between tones.

The album opens with ‘Drifting Intervals I’, setting a warm and meditative tone. The track slowly introduces chime-like textures, which, by the one-minute mark, begin to subtly shift and layer, forming a luminous landscape. As the LP progresses, tracks like ‘Drifting Intervals III’ and IV introduce airier elements, with hints of effervescence that shimmer within the ambient textures.

By the time ‘Drifting Intervals VI’ unfolds, a deeper, bass-infused undercurrent emerges, coexisting harmoniously with the brighter droning tones. This low-end presence eventually recedes by ‘VIII’, returning to the delicate elegance found in the opening moments of the album. The closing pieces continue this introspective journey, weaving starry glimmers and celestial reverberations that dissolve into a dreamlike state.

A Laboratory of Space and Time

What makes ‘Drifting Intervals’ particularly fascinating is its ability to evoke both spaciousness and intimacy simultaneously. Vesely has designed an auditory environment that feels cavernous—almost as if the music exists within an imaginary space several kilometers wide. His meticulous use of tape loops and deep reverb transforms each note into a continuously evolving entity, where sound is no longer static but alive, breathing, and shifting within an expansive void.

Unlike ambient music designed purely for relaxation or meditation, ‘Drifting Intervals’ offers something more intricate. It functions as both a meditation and an exploration of harmonic transformation. The compositions blur the line between musical and environmental sound, creating a space where time seems to dissolve, and the listener is left suspended within a drifting, ever-changing world.

An Album to Be Experienced, Not Just Heard

It’s nearly impossible to analyze ‘Drifting Intervals’ in a traditional review format. This is music that resists categorization, instead operating as a pure sensory experience. For those willing to immerse themselves fully, headphones and a quiet space will unlock the full potential of Vesely’s auditory universe.

Much like Brian Eno’s Music for Airports redefined ambient music’s interaction with space, and William Basinski’s Disintegration Loops examined the beauty of decay, ‘Drifting Intervals’ expands on these traditions by pushing harmonic blending into new, infinite territories. Whether used as a meditative aid, a backdrop for introspection, or a full-fledged deep listening experience, De Moi has crafted a work that stands as a testament to the evolving possibilities of ambient music.

For those seeking an auditory escape, a way to dissolve into sound itself, ‘Drifting Intervals’ is an unparalleled journey—one that flows effortlessly between comfort and eternity. stream this lush collection of wondrous sounds down below here on Affinity Ascension <3